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Edward Moran (American, 1829 - 1901) Waiting on the Beach

Oil on canvas, 13.75 x 19.75 inches/Signed lower left

Interested in this painting? Call 724-459-0612

sold Edward Moran's 19th Century Painting: Waiting on the Beach

Jerry & Joan - Thanks for your hospitality and helping us find this beautiful new piece for our home. Until next time...

Adrienne & Jon W.

In 1845 Moran was working in a textile factory in Philadelphia and having been caught drawing instead of minding his loom, was introduced to Philadelphia artist, James Hamilton by his supervisor. Moran studied with both Hamilton and G. D. Paul Weber, another noted Philadelphia artist. Moran sailed to London in 1861 to study at the Royal Academy and to copy the works of J. M. W. Turner, who was an early influence on his style.

During the Civil War Moran participated in an exhibition that raised funds for Union soldiers. A year later he participated in a second charity exhibition that raised funds for the Artists' Fund Society. Turner moved to New York City in 1871 after a falling out with the Pennsylvania Academy of the Fine Arts. In New York he was exposed to the works of luminists John F. Kensett, Martin Johnson Heade and Sanford R. Gifford and experimented himself with that style.

In 1876 Moran met French sculptor Frédéric A. Bartholdi, who’s Liberty Enlightening the World (Statue of Liberty) would be erected in New York Harbor in 1886. Moran was so inspired by Bartholdi’s grand project that he was moved to paint The Commerce of Nations Paying Homage to Liberty, which was displayed at numerous fund-raisers for the project. In fact, this inspiration resulted in his traveling to France, where he was introduced to the style of the en plein-air painters of the Barbizon School.

Moran is best known for his skilled execution of seascapes and was the recognized expert in this genre. His "Hints for Practical Study of Marine Painting" was published in issues of Art Amateur (1888). In the 1890s Moran completed 13 paintings depicting major events in American maritime history.

He was a member of the American Watercolor Society, National Academy of Design, Philadelphia Sketch Club, Society of Illustrators, the Brooklyn Art Association, Society of Illustrators and the Lotos Club, where he also exhibited. Moran also exhibited at the Pennsylvania Academy of the Fine Arts, Boston Art Club, Art Institute of Chicago, Exposition Universelle (1889) and the World’s Columbian Exposition (Chicago, 1892-1893).

High auction record for this artist: $33,000,000.

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